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Ahmed

A
Border Passage : From Cairo to America-A Woman's Journey
by Leila Ahmed;
320 pages Reissue edition (June 5, 2000)
Penguin
USA (Paper); ISBN: 0140291830. |
Border
Passage. The
New York Times Book Review, Barbara Crossette
...a
richly insightful account of the inner conflicts of a generation
coming of age during and after the collapse of European
imperialism...
From
Booklist
Questions
of identity engage Ahmed in this gracefully written and deeply
felt reflection on her Egyptian Muslim childhood, Cambridge
education, and life in U.S. academia. Born into Cairo's upper
class during the 1940s, Ahmed, professor of women's studies at
the University of Massachusetts at Amherst, was taught to value
all things European, an orientation discredited by the
revolution, Nasser's assent to power, and the emergence of Arab
nationalism.
Ahmed's confusion about her place in the new Egypt
was further exacerbated by her engineer father's bold opposition
to Nasser's pet project, the Aswan High Dam. She was also
profoundly affected by her observations of the great divide
between the sexes, and she uses her carefully parsed memories of
her extended family and friends to introduce striking insights
into the radically different ways Islamic men and women
interpret their faith. Poetic and questing, Ahmed brings the
same perspicacity to her musings on the experience of being seen
as a woman of color in England and the U.S., ultimately
illuminating the malignancy of so many of our assumptions
regarding gender, race, culture, and who has the power to
declare what is right. Donna Seaman.
From
Kirkus Reviews
A
lucid and luminous evocation of growing up in a whirlpool of
cultures and the rewarding struggle of sorting it all out. Ahmed
(Women's Studies/Univ. of Mass., Amherst) was born into a
professional Egyptian family that thrived in the quasi- republic
of King Farouk and the British protectorate. When Nasser came to
power in the early 1950s, her father's influence sank as a
result of his protests (on what turned out to be ecologically
sound grounds) against the Aswan Dam. The Suez crisis made
Nasser a hero in the Arab world and put pressure on Egyptians
until then a motley and proud mixture of Coptic Christian
("the
only truly indigenous inhabitants of Egypt''), Muslim, and Jew;
of Mediterranean, African, Nilotic to identify as "Arab."
Growing up in a home where English was honored (although Arabic
and French were also spoken), Ahmed had come, with her friends,
to regard things Arab as inferior.
Faced also with the dichotomy
of privilege vs. poverty, always visible in Cairo, Ahmed became
more and more confused about who she was and where her loyalties
lay. This book is about working out that identity as a woman in
a traditional society, as a ``black'' at Cambridge University,
as a Muslim in the anti-Islamic US environment of the 1980s.
Even her feminist colleagues' prejudice against Islam was
extreme, based primarily on what they saw as "fundamentalist"
strictures against women. Ahmed examines these events,
questioning various cultural frameworks she has encountered: the
men- only mosques where the classical Koran is taught, the white
male template of Cambridge, and the written culture so different
from the fluid oral traditions she examined on a sojourn in Abu
Dhabi. She delicately untangles and eloquently describes the
threads of political and personal circumstance that led first to
confusion and then to understanding. A beautiful tale that is a
celebration not only of women and the authors native country
(with all its flaws), but also of intellectual flowering. -- Copyright
©1999, Kirkus Associates, LP.
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MacK

Arabian
Nights' Entertainments (World's Classics)
Robert
L. MacK
Pub. 1996; $12.76 |
Arabian
Nights. The
Sultan Schahriar's misguided resolution to shelter himself from
the possible infidelities of his wives leads to an outbreak of
barbarity in his realm and to a reign of terror in his court,
stopped only by the resourceful Scheherazade. The tales with
which she nightly postpones the Sultan's murderous intent have
entered our language and our lives like no other collection of
stories before or since. Sinbad, Ali Baba, Aladdin: all make
their appearance in Arabian Nights' Entertainments. This edition
is the only one to offer the complete text of the earliest
English translation, and also provides full notes and plot
summaries, especially important in a such a sprawling work of
great complexity. --This text refers to an out of print or
unavailable edition of this title.
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Thesiger

Arabian Sands
by Wilfred Thesiger;
Reprint
edition (March 1985) Viking Pr; ISBN: 0140095144 |
Arabian
Sands. Reviewer:
mandvav from Orleans,
MA, USA
Besides being a wonderful book, as other reviewers have
remarked, 'Arabian Sands' is important reading for anyone who
wants to understand the culture and history of the Arab
countries of the Middle East and North Africa.
The Bedu are, and always have been, a small fraction of the
Arabs; historically, they have been disliked, mistrusted and
often hated by the settled Arabs of the Middle East. In North
Africa, the Berbers (a completely different people, with
non-Arabic languages) have sometimes been confused with the Bedu.
The Bedu way of life is now nearly extinct; Thesiger's book,
which describes his travels with the Yemeni Bedu of Southern
Arabia, is the only careful account of Bedu culture and Bedu
peoples I have ever come across. I know of no similarly
illuminating study of the Qaysi Bedu of Northern Arabia, not
even the works of T. E. Lawrence.
The historical importance of the Bedu in the Arab world is that
on several occasions from the 8th century to the 20th century,
Bedu tribesmen formed the core of armies that swept across the
Middle East and/or North Africa. Invading Bedu armies overthrew
decadent regimes in North Africa in the 13th century, and
effectively destroyed Berber power on the North African coast.
Bedu formed the core of the Arab armies that defeated the Turks
in the First World War, and were the core of the army which Ibn Saudi
created that turned him from being a refugee into being the
founder of Saudi Arabia as it is today. How did the small number
of people who comprised the various Bedu tribes exercise such
military power throughout the Arab World? Read "Arabian
Sands" to understand this.
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Denys
Arabic
Short Stories (Literature of the Middle East)
Denys Johnson-Davies (Translator), Roger
Allen / 1994; $13.95
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Arabic Short Stories.
Book Description
An
alleyway of Tangier as seen through the eyes of a prostitute,
the price paid by a sophisticated Cairene philanderer for his
infatuation with a young bedouin girl, the callous treatment a
young wife receives from the man to whom she has been married.
These are some of the themes of the twenty- four stories in this
volume, each by a different author and rendered into English by
one of the finest translators of Arabic fiction. Among the
authors represented are Edward El-Kharrat, Bahaa Taher, Alifa
Rifaat, and Ghassan Kanafani. Through the eyes of insiders,
these stories show us the intimate texture of life throughout
the diverse countries and cultures of the Arabic world.
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Tahir
Aunt
Safiyya and the Monastery : A Novel (Literature of the Middle
East)
Baha Tahir, et al / Paperback / 1996
Suggested Price: $11.16 |
Aunt Saffiya and the Monastery.
Book Description
This book is about a community that is disintegrating with the
departure of women for the social emancipation offered by the
big city. With the end of Safiyya [the book's heroine] and of the
superstitions that have persecuted her, as for millennium, they
have persecuted Egypt, crushed by its myths and by cultural
tradition immobilized by time." (Il Sole 24 Ore
"Beyond
the events, Tahir draws a very lively portrait of a woman of
Islamic civilization in the 1960s, where women, holding their
chador between their teeth while their hands serve their men,
play the part of the protagonists who are silent but very
powerful in the life of the community.
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Badr

A
Balcony over the Fakihani
Liyana Badr, Christopher Tingley (Translator), P.
Clark (Translator) / Paperback / Interlink Publishing Group,
Incorporated / June 1992; Suggested
Price: $9.95
|
A
Balcony Over the Fakihani. From
Kirkus Reviews , January 1, 1993
Three
poignant novellas about life-in-exile from Palestinian writer
Badr, born in Jerusalem and now living in Tunisia. The stories,
set mainly in Beirut, are preoccupied with exile but with not
forgetting homes in Israel, in Jordan, and then in Beirut, from
which Palestinians have been driven as conflicts ravage the
region. ``A Land of Rock and Thyme'' is told by Ysra, a young
woman whose husband, a resistance fighter from the West Bank,
has been killed in an Israeli raid into South Lebanon. A
disturbing dream about a visit to the Martyrs' Cemetery leads
Ysra to recall her father, who was killed by a shell while she
was fetching water in the refugee camp, as well as her first
meeting with her husband, and their brief, idyllic visit to his
native village.
Now pregnant and a widow, she is a woman
``dressed in black'' trying to understand that these are the
times of bitterness, but that there ``will be times of beauty
and light.'' The second piece, the title story, is set in
war-torn Beirut--a place where, after a night's bombardment, a
mother notices in horror a white hair on her baby's head. A
range of voices, the people who frequent Suad's flower- filled
balcony in the Fakihani district, tell about the Tunisian- born
fighter Umar, Suad's husband, who survived a near-fatal illness,
then died in a bomb blast. Last, ``The Canary and the Sea'' is
the memoir of a young man whose family was exiled from the West
Bank--``the country that was beyond my reach''--only to become a
prisoner of war in Israel, exchanged later for an Israeli, and
then, compounding the pain of exile once back in Beirut,
expelled to Tunisia. Unapologetically partisan, but the writing
is good enough to rise above politics and tell moving tales of a
troubled people living in an even more troubled place. -- Copyright
©1993, Kirkus Associates, LP.
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Laube

Behind
the Veil : An Australian Nurse in Saudi Arabia
by Lydia Laube;
208 pages (October 1998) Wakefield
Pr; ISBN: 1862542678 |
Behind
the Veil. Editorial Reviews; From AudioFile
BEHIND
THE VEIL chronicles the story of an Australian nurse in Saudi
Arabia who obviously did not fully appreciate what she was in
for living and working in a culture with such extreme
constraints on women. Deidre Rubenstein works the ironic and
irreverent humor from the start. She never loses the hint of the
author's surprise at her own naiveté in setting out on this
rather mad adventure or her pride in the stubborn profession-alism
that sees her through. This story is presented with the tone and
intimacy of a series of letters home (although, in reality, such
letters would have been thoroughly censored.) J.E.M. (c) AudioFile,
Portland, Maine --This text refers to the audio
cassette edition of this title.
Book
Description
"Cardiac
resuscitation was often applied to a patient who was fast
asleep. The hapless victim woke from a peaceful slumber to find
somebody, often an infidel, jumping up and down on his
chest."
Lydia Laube worked as a nurse in Saudi Arabia in a society that
does not allow women to drive, vote, or speak to a man alone.
Wearing head-to-toe coverings in stifling heat, and battling
administrative apathy, Lydia Laube kept her sanity and got her
passport back. "Behind the Veil" is the hilarious
account of an Australian woman's battle against the odds. It
will keep you entertained for hours.
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Munif
Cities
of Salt : A Novel
Abdelrahman Munif, et al / Paperback / Pub. 1989/ $13.60 |
City
of Salt.
Banned in Saudia Arabia, this is
a blistering look at Arab and American hypocrisy following the
discovery of oil in a poor oasis community.
A major new Adventure: one of the greatest contemporary novels in
the Arabic language, translated for the first time into English.
Reveals and humanizes a society that has for too long been
misunderstood, and should therefore command the serious
attention of American reviewers. |
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Mernissi
Dreams of Trespass : Tales of a Harem Girlhood
by Fatima Mernissi; Paperback (September 1995) Perseus Pr;
ISBN: 0201489376 |
Dreams
of Trespass. Amazon.com
In
1940, harems still abounded in Fez, Morocco. They weren't the
opulent, bejeweled harems of Scherezade, but the domestic sprawl
of extended families encamped around a walled courtyard that
marked the edges of women's lives. Though born into this tightly
sheltered world, Fatimi Mernissi is constantly urged by her
rebellious mother to spring beyond it. Worried that Mernissi is
too shy and quiet, her mother tells her, "You must learn to
scream and protest, just the way you learned to walk and
talk." In Dreams of Trespass, an enjoyable weave of memory
and fantasy, it is clear that Mernissi's fertile imagination let
her slip back and forth through the gates that trapped her
restive mother. She spins amiable, often improbable tales of the
rigidly proper city harem in Fez and the contrasting freedoms of
the country harem where her grandmother Yakima lives. There, one
of Yakima's cowives rides like the wind, another swims like a
fish, and Yakima relishes twitting the humorless first wife by
naming a fat, waddling duck after her.
From
Booklist
Every
once in a while, a childhood memoir effortlessly transports us
to another world in which we dwell happily for the duration of
the book. From its opening--"I was born in a harem in 1940
in Fez, a ninth-century Moroccan city"--to its closing
questions about the nature of power between men and women, this
one reads as part fairy tale, part feminist manifesto.
Sociologist and scholar Mernissi vividly paints an unforgettable
world of women who created a rich life behind closed doors.
Through her consciousness as a young girl, we see the weekly
beauty rituals, feel the nurturance of living among so many
women, and sense the comfort of age-old traditions. But also
through her sharp-eyed perspective come descriptions of a
changing world, dissatisfaction among the women over their
virtual entrapment within the harem compound, and endless
questions about the powerlessness she feels even as a girl.
Amazingly, she manages to be nonjudgmental while still
questioning the very foundation of Islam. A rare book, both
magical and political. Mary Ellen Sullivan
From
Kirkus Reviews , April 15, 1994
Prominent Middle Eastern
scholar Mernissi's (Beyond the Veil, not reviewed) childhood
memoir should be titled ``The Making of a Muslim Feminist.''
Readers expecting a narrative about a sultan's harem where
voluptuous Venuses loll in silk-draped palaces will be
disappointed; Mernissi's subject is the domestic harem of her
extended family. After outlining the restrictive domestic
hierarchy and Muslim decorum that literally imprison women,
Mernissi reveals how her relatives find escape and rebellion in
daily chores.
A battle for women's rights is waged in her
grandmother's fight to wash dishes in a river, her cousin's
march to the movies, her aunt's expressive embroidery, and her
mother's refusal to use modern French beauty products made by
men. But rather than weave an intimate tale of growing up in
1940s Morocco, Mernissi has forged the incidents of her
childhood into neat feminist lessons, each taught by a relative
who is fashioned into an archetype: her aunt advocates escape
into dreams; her mother says knowledge is the way out. Despite
this and other flaws, Mernissi does offer a rare glimpse of
Muslim women's home life--from co-wives' bickering to communal
bath joys. Ultimately, her title proves ironic because, while
Westerners associate the word harem with sensuality, that is
precisely what is absent from these women's lives. As Aunt
Habiba says: ``Why rebel and change the world if you can't get
what's missing in your life? And what is most definitely missing
in our lives is love and lust.'' So while not a balanced
autobiography, this book does offer valuable insight. As
fundamentalism grows in the Middle East and more women return to
the veil, the repressive lifestyle Mernissi depicts may not be
just a sad relic of the past but an ominous sign of the future.
-- Copyright ©1994, Kirkus Associates, LP.
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Baradah

The
Game of Forgetting : A Novel (Modern Middle East Literatures in
Translation Series)
Muhammad Baradah, et al / Paperback /
Published 1996; Suggested Price: $10.95; (June 1996)
Univ
of Texas Pr; ISBN: 0292708459 |
The
Game of Forgetting. From Kirkus Reviews ,
May 15, 1996
The Game of Forgetting ($10.95 paperback original; June 1996;
150 pp.; 0-292-70845-9). Subtitled ``A Novelistic Text,'' this
densely layered portrait of family life in 1950s Morocco employs
multiple narrators, alternative beginnings, and other
self-reflexive and postmodernist techniques to depict its
protagonist, the young intellectual Hadi, very specifically as a
product of his unstable culture and in his conflicted relations
with the members of his large extended family--all of whom are
viewed as having contributed crucially to the formation of what
might be called his polyglot personality. Both as theory and as
story, a wise, humane, and deeply involving work. -- Copyright
©1996, Kirkus Associates, LP.
Book Description
On the surface of this novel, various members of a Moroccan
family recount their versions of the family's experiences under
the French Protectorate and since Independence. On a deeper
level, the book deals with human memory and how it forms one's
experience of the world. Some critics have found the Arabic
original to be similar to Proust's Remembrance of Things Past.
Outstanding Moroccan novelist and critic Mohamed Berrada first
published Lu'bat al-Nisyan in 1987, and it has since been
translated into French and Spanish. Called the first postmodern
novel in Arabic, the story is written in such a captivating
style that it has become a bestseller in the Arab world.
Apart from its postmodern modes of narration and metafictional
structure, the novel has elements of an autobiographical nature.
Hadi, his mother, brother and other characters subtly portray
the lives experienced by people from various classes and
different backgrounds. The narrator and the narrator's narrator
take these nuances and struggle with how a story, any story,
should be told. Change in Moroccan culture and in the psyche of
the main protagonist is painted artfully by the encircling
wealth of detail.
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Golden
Chariot (The Arab Women Writers Series)
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Golden
Chariot.
This satirical novel is set
within the walls of a women's prison located outside Cairo
during the Nasser era. It focuses on a member of the Alexandrian
aristocracy imprisoned for murder and, according to Latifah al-Zayat,
is written in a style "similar to the style of folk-tales
(al-haki al-sha'bi) which depends on digression, description,
accumulation of seemingly separate details, and turning dramatic
events into narrative." It is a novel of narrative
sophistication which was widely praised in its original Arabic
publication and has since been translated into English and other
European languages.
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Shaykh

I Sweep the Sun Off Rooftops
by Hanan Shaykh, Hanan Al-Shaykh,
Catherine Cobham
(Translator) |
I
Sweep the Sun Off Rooftops.
The
Washington Post Book World, Ahdaf Soueif
Al-Shaykh
has a subtle touch and a mischievous sense of humor.... If one
or two of the endings are a touch melodramatic, it is because
she cares more for fantastical detail than for resolutions. Her
stories are like the silk her characters are so fond of.
From
Booklist
Lebanese
author Hanan Al-Shaykh offers a stunning collection of short
stories detailing the complexities of contemporary Arab life.
Tenuously poised between the cultures of the East and the West,
between the safety of traditional values and the lure of
modernity, Al-Shaykh's characters struggle to define themselves
and their relationships in an increasingly confusing and often
hostile environment. In the title story, a young woman painfully
compromises her principles and her selfhood in an attempt to
please an English youth. "A Season of Madness"
features a bitterly unhappy housewife who concocts an ironically
successful scheme to convince her husband she is insane.
"The Marriage Fair" provides a bittersweet look at an
age-old custom that attempts to bridge the gulf between the
romance of courtship and the reality of lifelong commitment.
Laced with pathos, insight, and gentle humor, the 17 stories
that constitute this delectable collection provide the reader
with a provocative glimpse into the multifaceted complexion of
the modern Arab world. Margaret Flanagan
Book Description
Since
the U.S. publication of Women of Sand and Myrrh--which
has now sold more than 35,000 copies and was selected as one of
the Fifty Best Books of 1992 by Publishers Weekly--Hanan al-Shaykh
has attracted an ever larger following for her dazzling tales of
contemporary Arab women. In these seventeen short
stories--eleven of which are appearing in English for the first
time--al-Shaykh expands her horizons beyond the boundaries of
Lebanon, taking us throughout the Middle East, to Africa, and
finally to London. Stylistically diverse, her stories are often
about the shifting and ambiguous power relationships between
different cultures--as well as between men and women. Often
compared to both Margaret Atwood and Margaret Drabble, Hanan al-Shaykh
is "a gifted and courageous writer" (Middle Eastern
International).
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Soueif
In the Eye of the Sun
by
Ahdaf Soueif |
In
the Eye of the Sun. From
Kirkus Reviews ,
March 1, 1993
Soueif,
born in Egypt and living in Britain, makes her American debut
with a novel that details a young Egyptian woman's
exasperatingly drawn-out journey to autonomy amidst the turmoil
of contemporary Middle East politics. Opening the story with the
cancer operation on her beloved uncle Hamid in London in 1979,
protagonist Asya drops a few names, hints at old griefs, then
returns to 1967 Cairo. The Arab-Israeli war has just begun--an
event that's much debated in the adolescent Asya's family, since
both her father and uncle Hamid were once imprisoned for their
politics. Political quotes abound and, though adding
authenticity, are heavy-handed reminders not only that Asya
holds passive sympathies for Egyptian nationalism and the PLO,
but that this is a serious novel with admirably serious
themes--like the role of women in Islamic society, and the
enduring ties to family and tradition.
Asya, the daughter of two
professors, has more freedom than her contemporaries, but even
her educated parents insist on a long formal courtship before
she can marry handsome Saif Madi--a four-year delay that, Asya
claims, ruins their sex life. Saif is a generous but
manipulative cipher, and the couple have zip communication, yet
Asya insists she loves him. Meanwhile, she goes to graduate
school; attends a bleak northern British university where she
has impulsively decided to do her Ph.D.; and Saif makes his
infrequent visits. Time will pass slowly as her marriage slowly
disintegrates; her dissertation is slowly completed; and Asya
slowly decides to end her affair with uncouth Gerald. But Asya
is also slowly growing: home in Cairo, with a doctorate but no
Saif, she realizes she's ``back into the sunlight still in
complete possession of herself.'' Within this mass of often
ill-assorted detail--every note for the dissertation seems to be
included--lurks a story that's worth telling, but finding it is
not always easy. -- Copyright ©1993, Kirkus Associates, LP.
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Atiya
Khul-Khaal
: Five Egyptian Women Tell Their Stories
Nayra Atiya /
Paperback / Published 1982/ Suggested Price: $15.95
(September
1982) Amer
Univ in Cairo Pr; ISBN: 0815601816 |
Five
Egyptian Women. Reviewer:
Erika Mitchell from Dubai, UAE
This book presents the life stories of five working class women
from Egypt in the 1970s. Atiya has masterfully written the tales
in the voices of the women who told them to her. The stories
contain fascinating ethnographic information about living
conditions and customs of the region and the time. Together,
they give a picture of women's issues in Egypt, especially
regarding family bonds and power, women's work, establishment of
gender roles, marriage, and female circumcision.
Reviewer:
Nicky Enright from NYC
My primary interest was "Ancient Egypt" when I first
arrived in Egypt, but I quickly became fascinated by the
contemporary culture as well. I searched for books that would
illuminate what I was seeing around me, in vain. I was
especially interested in the plight of women in Egypt, and there
didn't seem to be much writing on the subject. Luckily I came
across this gem of a book which turned out to be exactly what I
was looking for. The stories of 5 Egyptian women are lucidly
told by this remarkable Egyptian author. This book gives a
glimpse into a world one must usually be born into in order to
understand. Thank you Ms. Atiya!
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Soueif
The
Map of Love
by Ahdaf Soueif;
529 pages (September 12, 2000); Anchor
Books; ISBN: 0385720114 |
The
Map of Love. Amazon.com
Ahdaf
Soueif's The Map of Love is a massive family saga, a
story that draws its readers into two moments in the complex,
troubled history of modern Egypt. The story begins in 1977 in
New York. There Isabel Parkman discovers an old trunk full of
documents--some in English, some in Arabic--in her dying
mother's apartment. Incapable of deciphering this stash by
herself, she turns to Omar al-Ghamrawi, a man with whom she is
falling in love. And Omar directs her in turn to his sister Amal
in Cairo.
Together the two women begin to uncover the stories embedded in
the journal of Lady Anna Winterbourne, who traveled to Egypt in
1900 and fell in love with Sharif Pasha al-Barudi, an Egyptian
nationalist. To their surprise, they stumble across some
unsuspected connections between their own families. Less
surprising, perhaps, is the persistence of the very same issues
that dogged their ancestors: colonialism, Egyptian nationalism,
and the clash of cultures throughout the Middle East. The past,
however, does offer some semblance of omniscience:
That is the beauty of the past; there it lies on the table:
journals, pictures, a candle-glass, a few books of history. You
leave it and come back to it and it waits for you--unchanged.
You can turn back the pages, look again at the beginning. You
can leaf forward and know the end. And you tell the story that
they, the people who lived it, could only tell in part.
With its multiple narratives and ever-shifting perspectives, The
Map of Love would seem to cast some doubt on even the most
confident historian's version of events. Yet this subtle and
reflective tale of love does suggest that the relations between
individuals can (sometimes) make a difference. "I am in an
English autumn in 1897," Amal confesses at one point,
"and Anna's troubled heart lies open before me." Here,
perhaps, is a hint about how we should read Soueif's staggering
novel, using words as a means to travel through time, space, and
identity. --Vicky Lebeau.
From Booklist
In
parallel love stories set nearly 100 years apart, Soueif
combines politics and romance in something of an eternal spiral
connecting two families and two cultures. Isabel travels from
New York to Cairo with a trunk containing diaries and
possessions of her great-grandmother, Anna Winterbourne. Omar, a
conductor of international fame (and the man Isabel loves),
refers her to his sister Amal for help in understanding the
contents. What he fails to tell her is that they are distant
cousins: Sharif, the man who becomes Anna's husband, is Amal and
Omar's great-uncle. And so, in turn, we learn of Anna's life and
love for Sharif and her adopted country and of Isabel and Omar.
Amal, the link between the two worlds, untangles the old story
and entangles a new one. By juxtaposing the past with the
present, the prejudices and politics are contrasted with each
other and are shown to be remarkably similar. This, a very
romantic book with Anna as its most interesting character,
offers insights into both historic and modern Egypt. Danise
Hoover; Copyright © American Library Association.
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Saadawi

Memoirs
of a Woman Doctor
Nawal El Saadawi / Paperback / 1989/
Price: $7.16; 101 p.; City Lights Books; ISBN: 0872862232 |
Memoirs of a Woman Doctor.
Reviewer: George Schaefer, from Croydon, PA USA
This is a heart rending book as one reads about the sexism that
pervades Middle Eastern culture. el Saadawi is a courageous
woman who dared to fight against the system. This book was no
doubt a great controversy in her homeland of Egypt and quite
possibly still is. The autobiographical tones are apparent which
makes it an ever sadder tale. Freedom as she argues should exist
for all--both men and women. The way her upbringing taught her
to feel ashamed and inferior is horrible. But it is equally
inspiring that she had the courage and fortitude to triumph over
these overwhelming odds. Occasionally humanity does rise above
the ugliness. This is one such triumph. It is poignant but also
a worthwhile read.
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Brooks

Nine
Parts of Desire : The Hidden World of Islamic Women
by Geraldine Brooks; (January
1996) Anchor
Books; ISBN: 0385475772 |
Nine
Parts of Desire. Amazon.com
Geraldine
Brooks spent two years as a Middle East news correspondent,
covering the death of Khomeini and the like. She also learned a
lot about what it's like for Islamic women today. Brooks' book
is exceedingly well-done--she knows her Islamic lore and traces
the origins of today's practices back to Mohammed's time.
Personable and very readable, Brooks takes us through the
women's back door entrance of the Middle East for an unusual and
provocative view.
From Booklist
During
her six years covering the Middle East for the Wall Street
Journal, Brooks sought to find out how Muslim women feel
about their societies' attitudes toward women. What she
discovered is sometimes astonishing, sometimes shocking, but
always fascinating. Taking on the hijab (the Muslim
woman's black veil) herself, Brooks talked with women throughout
the Islamic world, reexamined the Koran, spent time with
fundamentalist and feminist alike, and emerged with a deeper
understanding of the religion as one that once empowered but now
cripples women. She found, for instance, that Iran is one of the
better Islamic countries for women, Saudi Arabia the worst; that
the hijab can be strangely liberating; that enjoyment of
their sexuality is an inherent right for Muslim women; and that
to be a feminist under Islam calls for a daily form of courage
almost incomprehensible to the Western mind. Brooks is a
wonderful writer and thinker; the observations she makes and the
conclusions she reaches open both our eyes and our minds to
understanding Muslim women anew. Mary Ellen Sullivan.
From Kirkus Reviews , October 15, 1994
A
well-crafted, absorbing account of Islamic women's lives as seen
through the eyes of a secular-minded, Australian-born feminist
journalist. Wall Street Journal Middle East correspondent Brooks
describes with sensitivity and clarity her conversations and
relationships with Islamic women, from the blue-jean-clad,
American-born queen of Jordan to a devout Palestinian who shares
her abusive husband with another woman in a four-room hovel with
14 children. Many of the obstacles she describes are well known:
Some Islamic women are not allowed to show flesh or pray out
loud in public (their voices are too arousing and could provoke
unholy thoughts in men); many professions are closed to women;
and severe sexual double standards still exist. However,
Brooks's lively interpretations of Islamic tradition offer a
useful challenge to Western stereotypes.
According to her, Mohammed's teachings on the role of Islamic
women, not to mention his living example, are complex and
contradictory, often in direct opposition to the gender politics
of today's extreme fundamentalists. Unfortunately, the author's
naive faith in her own culture's progress allows her to make
some rather arrogant statements, such as, ``Like most
Westerners, I always imagined the future
as an inevitably brighter place, where a kind of moral geology
will have eroded the cruel edges of past and present wrongs. But
in Gaza and Saudi Arabia...the future is a place that looks
darker every day.'' Stemming from a similar blind spot, perhaps,
is the short shrift given to Middle Eastern feminist activists
and scholars. Few organized women's movements are discussed, and
Brooks's treatment of Egyptian feminist Nawal Saadawi's
persecution by the radical Islamic group Jihad and the Egyptian
government totally overlooks the influence she has had; many
believe Saadawi and other feminists are responsible, for
example, for the Egyptian government's partial banning of
clitoridectomy. Nonetheless, Brooks is a fine storyteller,
though at times her tales feel incomplete. (Author tour) -- Copyright
©1994, Kirkus Associates, LP.
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Handal

The Poetry of Arab Women : A Contemporary Anthology
by Nathalie Handal (Editor) (Paperback - October 2000); 352 pages (October
2000) Interlink
Pub Group; ISBN: 1566563747 |
The
Poetry of Arab Women. From Publishers Weekly
"The anthology was prepared to eradicate
invisibility," writes Nathalie Handal (The Never Field) of
Poetry of Arab Women: A Contemporary Anthology. With research
help from groups like RAWI (Radius of Arab-American Writers,
Inc.) and from Arab-American newspapers and journals like Al
Jadid, Handal has gathered work from "most of the older and
newer contemporary voices" of the Arab diaspora over 80
poets writing in Arabic, French, English and other languages,
and living in Syria, Saudi Arabia, Lebanon, Yemen, Gaza and the
U.S. Handal's introduction, along with biographical notes on the
poets and many translators, helps to place them.
From
Booklist
The
Arab world's poetic tradition predates Islam, but it was through
the social revolution of Islam that it became possible to be a
poet, an Arab, and a woman. Ancient Arab women are sometimes
anthologized, but contemporary poets don't get the attention
that they deserve and that this ambitious volume begins to give
them. These poems were garnered from throughout the world and
translated from Arabic, French, and other languages by many
hands. Some of the featured poets have lived their whole lives
outside the Arab world, and although many rely on Arab poetic
traditions and forms, the "Arabness" of others is
subtler. The book's contents vary in quality, for established
poets like Naomi Shihab Nye are juxtaposed with little-known
American graduate students. Yet out of a cacophony of voices,
styles, and visions, deeper understanding of what it means to be
an Arab and a poet can be obtained. Although it can be
criticized for favoring breadth over depth, this anthology
answers a long-felt need, and its arrival should be celebrated. John
Green.
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Goodwin

Price
of Honor : Muslim Women Lift the Veil of Silence on the Islamic
World
by Jan Goodwin; Reprint
edition (August 1995) Penguin USA (Paper); ISBN: 0452274303 |
Price
of Honor. From
Booklist
Goodwin
set out to investigate the status of women in 10 Islamic
countries after being shocked and appalled at the brutal
treatment of a nine-year-old girl she befriended while living in
Peshawar, a frontier town on the border of Pakistan and
Afghanistan. Her findings are profoundly disturbing and center
on the enormous influence of radical Islamic fundamentalists,
who have created a system of "gender apartheid" that
has turned women into virtual prisoners. After providing deft
descriptions of the current atmosphere in each country, she
relates shocking stories of restriction, cruelty, abuse, and
violence.
Most Islamic women now live severely circumscribed lives. They
are forbidden to go out without male chaperons and face harsh
jail terms, or even death, for such "crimes" as
failing to be fully concealed in a chador or other heavy, dark
garments. Worse, of course, are the frequent beatings and rapes,
many committed by the police. Men can divorce their wives
secretly and are free to have several wives, while women are
kept cloistered at home, suffering from depression and a host of
ailments associated with lack of sunshine and exercise. This
tragic state of affairs is all the more maddening given the fact
than none of the more flagrant abuses have any basis in the
Koran, which teaches respect for women as equal and invaluable
partners in Muslim society. Goodwin takes pains to present
balanced and well-documented information, making her revelations
all the more alarming. Donna Seaman.
From Kirkus Reviews , January 1, 1994
Chilling
account of oppressive policies instituted against women in the
Islamic world. Though select women in countries like Saudi
Arabia, Iran, Kuwait, Egypt, and Pakistan ``lift the veil of
silence'' here to speak out against Islamic law, Goodwin focuses
on the vast majority of Muslim women, who--willingly or not--are
lowering the veil over their faces and lives. In much of the
Middle East, egalitarian strides made between the 50s' and 70's
have been reversed in the past 20 years of surging conservative
Islamic movements such as the Muslim Brotherhood, and in this
atmosphere women are singled out as potential sources of
corruption. In Pakistan, for example, nurses are frequently
accused of being immoral because they must work at night and
care for male patients. All female government employees are
ordered to wear Islamic dress, including chadors, which cover
the head and most of the body.
And while "rapists are allowed to go free...women victims
are prosecuted.'' Most Muslim women, contends Goodwin, are given
fewer rights than the Koran is designed to give them. While
women must be virgins when married, men are encouraged to be
polygamous: ``Hefty financial inducements are offered, and women
themselves are encouraged personally to select another wife for
their husbands.'' The few who speak out against such policies
risk unemployment, isolation, or even death. With disturbingly
graphic detail, Goodwin documents cruelties visited on Muslim
women--using skills similar to those she employed in covering
Russian atrocities against Afghans in Caught in the Crossfire
(1987). Despite shrill polemics in an anti-Israel chapter: a
significant book that gives a voice to millions of silent and
silenced Muslim women. -- Copyright ©1994, Kirkus
Associates, LP.
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Sasson

Princess
Sultana's Circle
by Jean P. Sasson; 255
pages (May 2000) Windsor-Brooke Books; ISBN: 0967673712 |
Princess
Sultana's Circle.
Alexandra
Ellison from Paradise
Valley, AZ United States
I bought this book, because I was intrigued and fascinated by
the topic and the rather unusual publishing history. However, I
was sorely disappointed. What a shame that such an important and
riveting subject such as the hidden lives and sufferings of
women in other cultures is treated in such a childish and vapid
manner! Granted, Princess Sultana is a real person who is
recounting her story, but that does not necessarily imply that
this story should be presented as one of maturity and triumph.
The final insult to women's suffering all over the world is
Princess Sultana's post-mortem adulation of Princess Diana and
her humane work. Can and should we really leave the never-ending
struggle for women's dignity world-wide to rich, bored,
psychologically disturbed twits?
Reviewer:
Lyn from Australia
I am from Australia and I live a fairly simple life. Women have
a fair go (compared to Arabia) and we can be anything we want to
be. Reading these tales takes me to another world and shows me
that despite what our media tells us, a materialistic way of
life means nothing if your hands are tied in other ways and you
don't have freedom. Princess Sultana is not happy! Even though
she has "everything" she needs, I consider my life far
happier, with less problems. I don't understand that if these
people have so much money, why don't they leave their country
and live a "normal" life in a western civilization, if
there are so many problems in their homelands? This book made me
sad. She tries so hard to be assertive, but the bottom line is,
her husband will always win. She is an alcoholic because she has
so much time on her hands. Why not put her time to better use
and educate herself? If her husband loves her as much as she
says he does, he would allow this! Thank God for our free way of
life. How I love my one bedroom home with my one husband!
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Theroux

Sandstorms
: Days and Nights in Arabia
by Peter Theroux;
Reprint 1991 W.W. Norton & Company; ISBN: 0393307972 |
Sandstorms:
Days & Nights in Arabia. Amazon.com
Peter
Theroux's fascination with the Arab culture goes back to his
student days, when he won a fellowship to study in Cairo. Drawn
initially to the Middle East by the West's romantic notions of
it, Theroux stayed on, learning the language and eventually
reporting on the region from his base in Riyadh, Saudi Arabia.
In Sandstorms he debunks some of the West's most
cherished myths about the Arab world, at the same time putting a
human face on a region long misunderstood.
As Theroux mentions in his preface, much of his time in the
Middle East was spent researching the 1978 disappearance of a
Lebanese imam, Moussa Sadr. By the end of Sandstorms,
Theroux has still not solved the riddle, but he has
painted a remarkable portrait of the times, the people, and the
politics of that volatile region.
From Book News, Inc. , December 1, 1990
An
anecdotal account of the author's experiences in the Middle East
as a student, teacher, journalist, and tourist. No index or
bibliography. Annotation copyright Book News, Inc. Portland, Or.
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Muhawi

Speak,
Bird, Speak Again : Palestinian Arab Folktales
Ibrahim Muhawi, et al
/ Paperback / Published 1989; Suggested Price: $18.95;
420 pages (March 1989) Univ
California Press; ISBN: 0520062922 |
Speak
Bird, Speak Again. Book
Description
Were
it simply a collection of fascinating, previously unpublished
folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales
would merit praise and attention because of its cultural rather
than political approach to Palestinian studies. But it is much
more than this. By combining their respective expertise in
English literature and anthropology, Ibrahim Muhawi and Sharif
Kanaana bring to these tales an integral method of study that
unites a sensitivity to language with a deep appreciation for
culture. As native Palestinians, the authors are well-suited to
their task.
Over the course of several years they collected tales in the
regions of the Galilee, Gaza, and the West Bank, determining
which were the most widely known and appreciated and selecting
the ones that best represented the Palestinian Arab folk
narrative tradition. Great care has been taken with the
translations to maintain the original flavor, humor, and
cultural nuances of tales that are at once earthy and whimsical.
The authors have also provided footnotes, an international
typology, a comprehensive motif index, and a thorough analytic
guide to parallel tales in the larger Arab tradition in folk
narrative. Speak, Bird, Speak Again is an essential guide to
Palestinian culture and a must for those who want to deepen
their understanding of a troubled, enduring people.
Reviewer:
Brian McDowell from USA
I am presently taking a graduate class, which deals with
orientalism, and we are using this book as a reference. I found
the introduction to be a wonderful insight into the Arabian
mind. The stories are short, well written, and whimsical. I
enjoy each story, in itself and also its symbolism with other
stories in the book. There are also "Afterwards" that
explain the complexities of the stories and the Arabian culture.
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Saadawi

Two
Women in One
Nawal Saadawi / Paperback /
Published 1994/ Suggested Price: $7.96;
124 pages Reprint edition (December 1994)
Women in Translation; ISBN: 1879679019 |
Two
Women in One.
From
500
Great Books by Women; review by Holly Smith
In
contemporary Egypt, eighteen-year-old Bahiah Shaheen struggles
to fill her inner need for independence. Her world consists of
her family home and medical school, but she yearns for a freedom
of which neither her mother nor her female classmates seem to be
aware. As she looks at the women around her she is struck with
despair by the falseness she feels about their lives. In her
culture, where women's skirts bind their legs together by
narrowing at the knees, she wears pants and causes people to
wonder: "Was she a woman or a man?...But since she was a
woman, it was legitimate to stare." Her involvement in a
student uprising further defies her family and cultural
expectations; it is a decision that changes her life. She notes:
"We never know the reality of things: we see only what we
are aware of. It is our consciousness that determines the shape
of the world around us - its size, motion and meaning."
Much of this story is told through Bahiah's thoughts, which are
not always literal, imbuing the reality of her life with a
dream-like quality. With her awareness, drive, and action,
Bahiah Shaheen's search for a life different from the expected
provides insight into the power of ancient and traditional
Egyptian culture over women's lives. -- For great reviews of
books for girls, check out Let's
Hear It for the Girls: 375 Great Books for Readers 2-14.
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Bagader

Voices
of Change : Short Stories by Saudi Arabian Women Writers
Abu Bakr Bagader Pub. 1997;$15.95;
Three
Continents Pr; ISBN: 1555877753 |
Voices of Change.
Reviewer: lisatheratgirl from New York, NY
This collection of short stories from a society so vastly
different from that of our own left me feeling a tremendous
respect for the authors, producing literary works of art in a
country where women's freedom is limited, as well as the
characters they created. I want to point out that this is NOT a
"male-bashing" book. Although the authors are all
women, the editors and translators are 2 men and 2 women, and
characters of both genders are portrayed as a mixture of good
and bad, i.e. human. The characters are to an extent a
reflection of their society, but they are dealing with problems
(alcohol, drugs, divorce, child abuse, etc.) that are not unique
to any society. The stories show great sensitivity and
compassion and in addition reveal more about life in a country
that many Americans know little about.
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Amir

The
Waiting List : An Iraqi Woman's Tales of Alienation
Dayzi Amir, Pub 1995; $7.16; Univ
of Texas Pr; ISBN: 0292790678 |
The
Waiting List.
Reviewer:
goldenmaxi@aol.com from
Seattle, WA
I was expecting woeful tales of life as a female in Muslim
society but I was wrong. Her stories are wonderful in the
context of just being a human female. She thinks of a lot of the
things that I do, for example obsessing over someone else's
possessions at a yard sale. Her insight into male/female
thinking is very poignant. This is a bargain book and leads me
to seek out other female Arab writers works.
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Al-Qa'Id

War
in the Land of Egypt (Emerging Voices)
Yusuf Al-Qa'Id, et al / Paperback /
Published 1997/ Suggested Price: $10.36;
192 pages (November 1997) Interlink Pub Group; ISBN: 1566562279 |
War
in the Land of Egypt. Amazon.com
Yusuf Al-Qa'id's War in the Land of Egypt was banned in
his native country but published to wide acclaim outside of
Egypt. The first of his novels to be translated into English, it
tells the story of Masri (the only character with a name), a
young Egyptian peasant who is sent into the Egyptian army on the
eve of the 1973 Yom Kippur war in place of a rich man's son. Al-Qa'id
tells his tale from several different perspectives: that of the
village headman (the Umda) whose son Masri will replace; the
broker who finds Masri; the hapless young man's father; his
friend; his commanding officer; and finally, the investigator
sent to look into the switch. The one character we do not
hear from is Masri.
It soon becomes apparent why this book was banned in Egypt, as
Al-Qa'id uses the events surrounding the war to indict the
bureaucratic corruption and social inequality rife in his
country. Each character represents a different facet of Egyptian
society with Masri himself, by virtue of his name (which, in
Arabic, translates as "Egyptian"), standing for
Everyman. Political this novel doubtless is, but it is also a
masterfully crafted piece of fiction and a genuine page-turner
as well. --Alix Wilber.
From
Booklist
The
first of Al-Qa'id's 11 novels to be published in English is the
account of an Umda, a village politician, who plots to
get his youngest son out of army service during what turns out
to be the beginning of the Yom Kippur War. The novel begins with
Sadat returning land nationalized by Nasser; The Umda's
land is soon restored to him, and he is suddenly once again the
most powerful man in his region. To get his son out of the
service, he turns to "The Broker," a former teacher
who has learned how to manage the loopholes of Egypt's
bureaucracy. A replacement is found for the Umda's son.
When the war begins and the replacement is sent to the front
lines, the novel becomes a broiling indictment of Egyptian
double standards. Not surprisingly, it was long banned in its
home country. Each chapter is inventively told by a different
character, but none by either of the two boys at the plot's
center. A welcome addition to any international fiction
collection. David Cline.
From
Independent
Publisher
War
in the Land of Egypt is a Kafkaesque tale of corruption,
bureaucracy, and class division, set in Egypt during the 1973
October war. Al-Qa'id's ironic parody loses none of its
black-comedic bite in the translation to English, while the
characters and their motives-though individuals brought vividly
to life-are universally recognizable and need no cultural
transliteration. Multiple characters representing various strata
of Egyptian society relate this tragic farce of how a poor
family is crushed by the whims of the rich and the oppressive
weight of a bureaucracy designed to serve only the interests of
the rich. The sumptuous mosaic of modern life in the land of the
pharaohs was banned in Egypt when originally published there in
1975.Artistically, the structure of War in the Land of Egypt is
both pleasing and exceptionally fitting as a chronicle of modern
Egyptian life. The combined narratives of each nameless
storyteller form a pyramid, with Masri, the only named character
and also the only one deprived of telling his own story, at the
apex. The title too is particularly appropriate, referring not
just to the external conflict, but to the ageless struggle that
has raged among the Egyptian people themselves. Qa'id, a
prolific writer with 11 novels and four short-story collections
to his name, is one of a new generation of Egyptian writers
credited with advancing the relatively new art of the Arab
novel. War in the Land of Egypt is a testament to his skills.
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Bakr

The
Wiles of Men and Other Stories
Salwa Bakr, Denys Johnson-Davies / 1993 $11.96; 178 pp.
ISBN: 0292708009 |
The
Wiles of Men.
No
review--yet!
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Al-Shaykh

Women
of Sand and Myrrh
Hannan Al-Shaykh, Published 1992;
Suggested Price: $8.80 |
Women
of Sand and Myrrh. From
Kirkus Reviews , June 1, 1992
The
realities of life in the gilded cage for contemporary Arab
women--in the first US publication from Lebanese-born writer al-
Shaykh. Though imbued with an urgent sense of lives blighted and
talents wasted, al-Shaykh--in telling her four women
protagonists' stories--makes her points by accumulating
illustrative detail rather than launching a polemic. In a
nameless Middle Eastern city, four friends struggle to make full
lives in a society where women cannot drive a car, walk in the
streets unveiled, and, if they do have jobs, must work in
segregated areas. It's also a society where sex, because of all
the constraints, becomes an unhealthy obsession. Only one of the
women, Suzanne, a Texan there with her husband on assignment,
enjoys the Middle Eastern way of life. As a Westerner, she has
more freedom but, more importantly, with her marriage
failing--she suspects her husband is gay--she enjoys the
attention of the men attracted by her novelty. Suha, a well-
educated Lebanese woman, came with her husband to escape the
war- -but finding the stifling boredom worse than any bombing,
and ashamed of a lesbian relationship with wealthy Nur, she
returns to Beirut. Nur, the daughter of a wealthy Bedouin, is
the quintessential bored rich woman who seeks sensation at the
expense of her marriage to a Western-educated, would-be
reformer. And Tamr, whose Turkish
mother had been sent to a sheik's harem as a young girl and was
married herself at 12, is encouraged by Suha to divorce and
then, with the obligatory permission from her closest male
relative, start a small, and of necessity women's-only,
business. An eloquent and subtle plea for liberalization, as
well as an evocative description of a society torn between
tradition and the West. A promising debut. -- Copyright
©1992, Kirkus Associates, LP.
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